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Who Cares About Ballet?

Everyone says the art form is dying. For me, it’s never felt more alive.
Mira Nadon on pointe in a red ribbon skirt, one arm lifted overhead, against a deep blue backdrop.

Moby-Dick and the Indefinite Sublime

On facing the white page


The Sappho We Fell in Love With

Mary Barnard reinvented an ancient poet for a modern world.
Weathered apartment intercom panel; the paper name strips are torn, taped over and mostly illegible.

Famous Writers School

My encounters with literary greats
18th-century oil portrait of a Black man in a scarlet coat and silver waistcoat, looking directly out.

In Search of John Canoe

On the mysterious origins of a Caribbean festival and the fictions that make up history

Reticent auteurs sit uneasily at the nexus of art and commodification. They appear to reject celebrity and marketing and the constant product churn that the industry demands.

Bilge Ebiri The Reticent Auteur

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A blonde woman drives a car, one hand on the wheel, looking left; blurred green trees in the window.

Killanova

An excerpt from a new verse play featuring the Kardashians


The Sun’s Song

An excerpt and annotation

How to Talk About Murder

Edgar Allan Poe’s stories are full of ghastly crimes, but the true horror lies in their confessions.
Ink illustration of a small boat suspended on the inner wall of a vast whirlpool of spiralling lines.
Black-and-white photo of the underside of an office chair on castors, shadow falling across carpet.

Two Sketches

Fall 2026

Read our new issue online now.

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Man in Love

An excerpt and annotation

In the beginning

Clover

Other World

My Face

When I look in the bathroom mirror, I see my past and future selves

Absolute Darkness

A curious disorientation

The Mirror



Gods

Jan Brandes, Ananas, 1785. Courtesy Rijksmuseum, Amserdam.

Sunrise