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Making Contact

Encounters with readers

Moby-Dick and the Indefinite Sublime

On facing the white page


The Sappho We Fell in Love With

Mary Barnard reinvented an ancient poet for a modern world.
Weathered apartment intercom panel; the paper name strips are torn, taped over and mostly illegible.

Famous Writers School

My encounters with literary greats
Black-and-white photo of the underside of an office chair on castors, shadow falling across carpet.

Two Sketches

Fall 2026

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Killanova

An excerpt from a new verse play featuring the Kardashians


The Sun’s Song

An excerpt and annotation

How to Talk About Murder

Edgar Allan Poe’s stories are full of ghastly crimes, but the true horror lies in their confessions.
Ink illustration of a small boat suspended on the inner wall of a vast whirlpool of spiralling lines.
18th-century oil portrait of a Black man in a scarlet coat and silver waistcoat, looking directly out.

In Search of John Canoe

On the mysterious origins of a Caribbean festival and the fictions that make up history
A film camera on a tripod faces a young fruit tree in a dark courtyard, lit by a work light.

The Reticent Auteur

Why are we so fascinated by filmmakers who stop making films?

Moving to music is not intellectual, but it denotes something about human knowledge that is hard to put into words.

Joanna Biggs Who Cares About Ballet?

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Mira Nadon on pointe in a wide lunge, arms extended and one knee raised, red ribbon skirt swinging.

Man in Love

An excerpt and annotation

In the beginning

Clover

Other World

My Face

When I look in the bathroom mirror, I see my past and future selves

Absolute Darkness

A curious disorientation

The Mirror



Gods

Jan Brandes, Ananas, 1785. Courtesy Rijksmuseum, Amserdam.

Sunrise